Composers Forum tapes, continued

We've completed transferring the information from the card file index of the Composers Forum tape reels to a spreadsheet. Using that sheet, we've now gone back to the shelf, and determined that there are several reels that still need indexing, starting from the 1970s, when the card file index was apparently abandoned.

So, our next step is to go through the physical reels on the shelf, and record any information that we can from the reels themselves. We spot-checked several reels a couple weeks ago, and some had folded programs contained in the reel boxes. We're hoping that this will be true for as many reels as possible, as otherwise we won't have more information than the date and composers names, which are generally on the outside of the box.

After this information is collected, we'll have as complete an electronic index as we can construct for now. Further information may be gathered at the point of digitization.

One interesting feature of these tapes which has emerged is that Virgil Thomson is said to have served as moderator for many of the composer discussions documented by these tapes. This adds an additional layer of historical interest to these reels, and contributes to a snapshot of the musical culture of that time.

Babbitt correspondence, Composers Forum recordings - some progress

Now that the valiant Angela Perez has been assisting with the processing work, we've finished putting most of the Babbitt correspondence in folders, and will begin work on the finding aid for this material soon. We'll provide detail to the folder level for this correspondence, but more general description for the other materials in the collection (such as administrative records, equipment manuals, etc.).

On a separate note, we're hoping that we may focus on a sub-section of the recordings, the Composers Forum concert recordings, on reel-to-reel tapes. The Composers Forum was established in 1935, with funding from the WPA, to present the work of American composers. It was active initially in New York; when the WPA ended, it continued briefly in San Francisco under private patronage, went on hiatus during the war, and then was revived under the joint sponsorship of the New York Public Library and Columbia University in 1947.


The reel-to-reel tapes in the archives here represent recordings from this later phase of the Composers Forum. The Electronic Music Center's involvement here appears to have been to record the concerts, which were held at several locations around New York. Most if not all of the works appear to be acoustic, rather than electronic, works. Pril Smiley, a former director of the Center, described to me hauling a large Ampex reel-to-reel recorder and mic to Midtown to record a concert (and these machines weighed a ton!).

There is an existing card file index to this material, which is arranged by composer. If transferred to electronic format, it would allow people to also search to see what the contents of a particular reel is, or to browse the recordings chronologically, for example. This is one concrete step towards improved access that we hope to undertake soon, since the necessary preservation work is a more long-term proposition.

A significant feature of the Composers Forum concerts was the inclusion of a discussion period, where composers would discuss their works. This aspect appears to be well-represented on the reels in this collection, with many labeled to indicate "discussion" or "comments". Besides the obvious value of the musical works recorded on the tapes, we think that the discussion material will be of value and interest to researchers interested in American art music from this period.

Vinyl included

Contained in the archives are a handful of 7" vinyl records. Here is one which features compositions by Pierre Schaeffer, Iannis Xenakis, and Luc Ferrari (showing front and back of sleeve):






The collection contains a few others, which were apparently issued as accompanying material to numbers of the "Gravesaner Blatter", a periodical focused on experimental and electronic music. Here are examples of a few discs published by Hermann Scherchen's "Experimentalstudio Gravesano" in Switzerland, covering techincal processes of electronic music, works by Pierre Schaeffer, and examples of filter experiments:








Unfortunately, some of the discs are showing signs of warping, or in one case, chipping.